{"id":343,"date":"2024-05-17T13:57:33","date_gmt":"2024-05-17T06:57:33","guid":{"rendered":"https:\/\/merspace.brite.vn\/?post_type=news&p=343"},"modified":"2024-05-17T13:57:39","modified_gmt":"2024-05-17T06:57:39","slug":"suc-lan-toa-manh-me-cua-cac-phong-tranh-chau-a-tren-toan-cau-p1","status":"publish","type":"news","link":"https:\/\/merspace.brite.vn\/en\/news\/suc-lan-toa-manh-me-cua-cac-phong-tranh-chau-a-tren-toan-cau-p1\/","title":{"rendered":"S\u1ee9c lan t\u1ecfa m\u1ea1nh m\u1ebd c\u1ee7a c\u00e1c ph\u00f2ng tranh ch\u00e2u \u00c1 tr\u00ean to\u00e0n c\u1ea7u (P1)"},"content":{"rendered":"\n

Xu h\u01b0\u1edbng c\u00e1c ph\u00f2ng tr\u01b0ng b\u00e0y ph\u01b0\u01a1ng T\u00e2y m\u1edf r\u1ed9ng \u0111\u1ecba h\u1ea1t ho\u1ea1t \u0111\u1ed9ng sang ch\u00e2u \u00c1 \u0111\u00e3 \u0111\u01b0\u1ee3c ghi nh\u1eadn r\u00f5 r\u00e0ng trong v\u00e0i n\u0103m tr\u1edf l\u1ea1i \u0111\u00e2y. Ch\u1eb3ng h\u1ea1n nh\u01b0, ba h\u1ed9i ch\u1ee3 l\u1edbn nh\u1ea5t th\u1ebf gi\u1edbi \u0111\u00e3 \u0111\u01b0\u1ee3c t\u1ed5 ch\u1ee9c t\u1ea1i H\u1ed3ng K\u00f4ng, \u0111\u1ed3ng th\u1eddi chi nhanh c\u1ee7a Gagosian, Hauser & Wirth v\u00e0 David Zwirner c\u0169ng hi\u1ec7n di\u1ec7n \u1edf \u0111\u00e2y. V\u00e0o n\u0103m 2021, theo Kh\u1ea3o s\u00e1t v\u1ec1 thu th\u1eadp to\u00e0n c\u1ea7u c\u1ee7a UBS v\u00e0 Art Basel v\u00e0o n\u0103m 2022, ho\u1ea1t \u0111\u1ed9ng xu\u1ea5t nh\u1eadp kh\u1ea9u t\u00e1c ph\u1ea9m ngh\u1ec7 thu\u1eadt \u1edf H\u1ed3ng K\u00f4ng \u0111\u1ea1t t\u1ed5ng tr\u1ecb gi\u00e1 kho\u1ea3ng 8,6 t\u1ef7 USD, Trung Qu\u1ed1c \u0111\u1ea1i l\u1ee5c chi\u1ebfm 4,9 t\u1ef7 USD v\u00e0 Singapore chi\u1ebfm 600 tri\u1ec7u USD.<\/p>\n\n\n\n

Song song v\u1edbi l\u00e0n s\u00f3ng d\u1ecbch chuy\u1ec3n n\u00e0y, c\u00e1c ph\u00f2ng tranh l\u1edbn c\u1ee7a ch\u00e2u \u00c1 c\u0169ng v\u01b0\u01a1n d\u00e0i c\u00e1nh tay sang ph\u00eda T\u00e2y b\u00e1n c\u1ea7u. M\u1ed9t v\u00e0i \u0111\u1ea1i di\u1ec7n c\u1ee7a Manila \u0111\u00e3 m\u1edf r\u1ed9ng sang New York, Ph\u00f2ng tr\u01b0ng b\u00e0y Tokyo \u0111\u00e3 m\u1edf t\u1ea1i Th\u01b0\u1ee3ng H\u1ea3i hay c\u00e1c ph\u00f2ng tranh \u1edf Th\u01b0\u1ee3ng H\u1ea3i \u0111\u00e3 lan sang Singapore.<\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

\u201cM\u1eb7c d\u00f9 s\u1ee9c \u1ea3nh h\u01b0\u1edfng c\u1ee7a c\u00e1c ph\u00f2ng tranh ch\u00e2u \u00c1 \u0111\u00e3 gia t\u0103ng, nh\u01b0ng ch\u01b0a th\u1ef1c s\u1ef1 \u0111\u00e1ng k\u1ec3. Th\u1eadt v\u1eady! To\u00e0n b\u1ed9 ch\u00e2u \u00c1 ch\u1ec9 c\u00f3 8% s\u1ed1 ph\u00f2ng tr\u01b0ng b\u00e0y ngh\u1ec7 thu\u1eadt tr\u00ean th\u1ebf gi\u1edbi,\u201d Jeffrey Rosen c\u1ee7a Misako & Rosen \u1edf Tokyo cho bi\u1ebft. <\/p>\n\n\n\n

Ph\u00f2ng tr\u01b0ng b\u00e0y Tokyo \u1edf th\u1ee7 \u0111\u00f4 Nh\u1eadt B\u1ea3n \u0111\u01b0\u1ee3c th\u00e0nh l\u1eadp Takashi Yamamoto v\u00e0o n\u0103m 1950. Trong khi c\u00e1c ngh\u1ec7 s\u0129 Nh\u1eadt B\u1ea3n nh\u01b0 Kazuo Shiraga v\u00e0 Jiro Takamatsu \u0111\u00e3 hi\u1ec7n di\u1ec7n \u1edf \u0111\u00e2y, Yamamoto c\u0169ng h\u1ee3p t\u00e1c v\u1edbi c\u00e1c ph\u00f2ng tr\u01b0ng b\u00e0y ph\u01b0\u01a1ng T\u00e2y \u0111\u1ec3 gi\u1edbi thi\u1ec7u ngh\u1ec7 s\u0129 v\u00e0 tr\u01b0ng b\u00e0y c\u00e1c t\u00e1c ph\u1ea9m c\u1ee7a h\u1ecd, bao g\u1ed3m Yves Klein v\u00e0 Jackson Pollock. Sau chuy\u1ebfn th\u0103m H\u00e0n Qu\u1ed1c v\u00e0o nh\u1eefng n\u0103m 1970, \u00f4ng \u0111\u00e3 gi\u1edbi thi\u1ec7u c\u00e1c ngh\u1ec7 s\u0129 nh\u01b0 Park Seo-bo v\u00e0 Lee Ufan. S\u1ef1 ki\u1ebfn n\u00e0y c\u0169ng l\u00e0 c\u01a1 h\u1ed9i \u0111\u1ec3 bu\u1ed5i tri\u1ec3n l\u00e3m \u0111\u1ea7u ti\u00ean c\u1ee7a Dansaekhwa di\u1ec5n ra t\u1ea1i Nh\u1eadt B\u1ea3n v\u00e0o n\u0103m 1975. Yukihito Tabata, con trai c\u1ee7a Yamamoto, \u0111\u00e3 gi\u1eef cho tinh th\u1ea7n \u0111\u00f3 t\u1ed3n t\u1ea1i khi \u0111\u1ebfn th\u0103m tri\u1ec3n l\u00e3m \u201cTrung Qu\u1ed1c Avant-Garde\u201d n\u0103m 1989 t\u1ea1i B\u1ea3o t\u00e0ng Qu\u1ed1c gia Trung Qu\u1ed1c, B\u1eafc Kinh v\u00e0 \u0111\u00e3 t\u1ed5 ch\u1ee9c tri\u1ec3n l\u00e3m cho c\u00e1c ngh\u1ec7 s\u0129 nh\u01b0 Xu Bing v\u00e0 Cai Guo-Qiang v\u00e0o nh\u1eefng n\u0103m 1990 t\u1ea1i ch\u00ednh ph\u00f2ng tr\u01b0ng b\u00e0y c\u1ee7a gia \u0111\u00ecnh \u00f4ng.<\/p>\n\n\n\n

Tabata \u0111\u00e3 \u0111\u1ed3ng h\u00e0nh c\u00f9ng ngh\u1ec7 s\u0129 Trung Qu\u1ed1c Huang Rui khi \u00f4ng \u0111ang t\u00ecm ki\u1ebfm m\u1ed9t x\u01b0\u1edfng v\u1ebd r\u1ed9ng r\u00e3i \u1edf B\u1eafc Kinh. Cu\u1ed1i c\u00f9ng, c\u1ea3 ph\u00f2ng tr\u01b0ng b\u00e0y v\u00e0 ngh\u1ec7 s\u0129 \u0111\u1ec1u c\u00f3 kh\u00f4ng gian chung trong m\u1ed9t khu ph\u1ee9c h\u1ee3p nh\u00e0 m\u00e1y qu\u00e2n s\u1ef1 \u0111\u00e3 ng\u1eebng ho\u1ea1t \u0111\u1ed9ng \u1edf Dashanzi, B\u1eafc Kinh. Beijing Tokyo Art Projects (BTAP) khai tr\u01b0\u01a1ng v\u00e0o n\u0103m 2002 v\u00e0 hi\u1ec7n c\u00f3 g\u1ea7n 200 ph\u00f2ng tr\u01b0ng b\u00e0y c\u0169ng nh\u01b0 c\u00e1c t\u1ed5 ch\u1ee9c bao g\u1ed3m Trung t\u00e2m Ngh\u1ec7 thu\u1eadt \u0110\u01b0\u01a1ng \u0111\u1ea1i UCCA.<\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

V\u00e0i n\u0103m tr\u01b0\u1edbc khi BTAP ra m\u1eaft, Zheng Lin, ng\u01b0\u1eddi H\u1ed3 Nam, \u0111ang l\u00e0m gi\u00e1o vi\u00ean m\u1ef9 thu\u1eadt \u1edf Bangkok. Sau khi kh\u1ea3o s\u00e1t b\u1ed1i c\u1ea3nh \u0111\u1ecba ph\u01b0\u01a1ng v\u00e0 kh\u00f4ng t\u00ecm th\u1ea5y ph\u00f2ng tr\u01b0ng b\u00e0y ngh\u1ec7 thu\u1eadt n\u00e0o, \u00f4ng \u0111\u00e3 th\u00e0nh l\u1eadp Tang Contemporary Art \u0111\u1ec3 l\u1ea5p \u0111\u1ea7y kho\u1ea3ng tr\u1ed1ng \u0111\u00f3 v\u00e0o n\u0103m 1997.<\/p>\n\n\n\n

Gi\u00e1m \u0111\u1ed1c \u0110i\u1ec1u h\u00e0nh Vivian Har cho bi\u1ebft: \u201cHo\u00e0n c\u1ea3nh l\u00fac \u0111\u00f3 th\u1eadt ho\u00e0n h\u1ea3o. Th\u1ecb tr\u01b0\u1eddng ngh\u1ec7 thu\u1eadt Trung Qu\u1ed1c ch\u01b0a ph\u00e1t tri\u1ec3n v\u00e0 ngh\u1ec7 thu\u1eadt Trung Qu\u1ed1c r\u1ea5t r\u1ebb. Ph\u00f2ng tr\u01b0ng b\u00e0y ch\u1ee7 y\u1ebfu b\u00e1n cho nh\u1eefng v\u1ecb kh\u00e1ch n\u01b0\u1edbc ngo\u00e0i kh\u00e1 gi\u1ea3.\u201d Har c\u0169ng cho bi\u1ebft th\u00eam \u201cc\u00e1c ph\u00f2ng tr\u01b0ng b\u00e0y d\u1ea7n chuy\u1ec3n \u0111\u1ebfn Khu ngh\u1ec7 thu\u1eadt 798, c\u00e1c ph\u00f2ng tr\u01b0ng b\u00e0y qu\u1ed1c t\u1ebf b\u1eaft \u0111\u1ea7u chuy\u1ec3n \u0111\u1ebfn v\u00e0 B\u1eafc Kinh tr\u1edf th\u00e0nh tr\u1ee5 s\u1edf ch\u00ednh c\u1ee7a ch\u00fang t\u00f4i.\u201d Hi\u1ec7n nay, ph\u00f2ng tranh c\u00f3 ba gian \u1edf \u0111\u00f3, gian l\u1edbn nh\u1ea5t r\u1ed9ng kho\u1ea3ng 3.000 m\u00e9t vu\u00f4ng. T\u1eeb \u0111\u00f3, ph\u00f2ng tr\u01b0ng b\u00e0y m\u1edf r\u1ed9ng ph\u1ea1m vi ho\u1ea1t \u0111\u1ed9ng sang H\u1ed3ng K\u00f4ng v\u00e0o n\u0103m 2008. M\u1ed9t cu\u1ed9c kh\u1ee7ng ho\u1ea3ng t\u00e0i ch\u00ednh to\u00e0n c\u1ea7u kh\u00e1c di\u1ec5n ra v\u00e0o th\u1eddi \u0111i\u1ec3m n\u00e0y, v\u00ec v\u1eady gi\u00e1 thu\u00ea r\u1ea5t h\u1ea5p d\u1eabn, \u0111\u1eb7c bi\u1ec7t l\u00e0 \u1edf v\u1ecb tr\u00ed t\u1ea7ng h\u1ea7m \u0111\u1ea7u ti\u00ean c\u1ee7a n\u00f3. K\u1ec3 t\u1eeb \u0111\u00f3, ph\u00f2ng tr\u01b0ng b\u00e0y \u0111\u00e3 \u0111\u01b0\u1ee3c n\u00e2ng c\u1ea5p th\u00e0nh kh\u00f4ng gian c\u1ee7a Qu\u1eadn Trung t\u00e2m do ki\u1ebfn tr\u00fac s\u01b0- nh\u00e0 s\u01b0u t\u1eadp William Lim thi\u1ebft k\u1ebf.<\/p>\n\n\n\n

Xem th\u00eam ph\u1ea7n 2 t\u1ea1i \u0111\u00e2y<\/a><\/p>\n\n\n\n

Xem th\u00eam ph\u1ea7n 3 t\u1ea1i \u0111\u00e2y<\/a><\/p>\n\n\n\n

Bi\u00ean d\u1ecbch: Minh H\u1eadu<\/p>\n\n\n\n

Bi\u00ean t\u1eadp: Nguy\u1ec5n Hi\u1ebfu<\/p>\n\n\n\n

\nhttps:\/\/www.artbasel.com\/stories\/art-market-report-2022-asian-galleries-going-global\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"

Xu h\u01b0\u1edbng c\u00e1c ph\u00f2ng tr\u01b0ng b\u00e0y ph\u01b0\u01a1ng T\u00e2y m\u1edf r\u1ed9ng \u0111\u1ecba h\u1ea1t ho\u1ea1t \u0111\u1ed9ng sang ch\u00e2u \u00c1 \u0111\u00e3 \u0111\u01b0\u1ee3c ghi nh\u1eadn r\u00f5 r\u00e0ng trong v\u00e0i n\u0103m tr\u1edf l\u1ea1i \u0111\u00e2y. Ch\u1eb3ng h\u1ea1n nh\u01b0, ba h\u1ed9i ch\u1ee3 l\u1edbn nh\u1ea5t th\u1ebf gi\u1edbi \u0111\u00e3 \u0111\u01b0\u1ee3c t\u1ed5 ch\u1ee9c t\u1ea1i H\u1ed3ng K\u00f4ng, \u0111\u1ed3ng th\u1eddi chi nhanh c\u1ee7a Gagosian, Hauser & Wirth v\u00e0 David Zwirner c\u0169ng hi\u1ec7n di\u1ec7n \u1edf \u0111\u00e2y. V\u00e0o…<\/p>\n","protected":false},"author":1,"featured_media":149,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/merspace.brite.vn\/en\/wp-json\/wp\/v2\/news\/343"}],"collection":[{"href":"https:\/\/merspace.brite.vn\/en\/wp-json\/wp\/v2\/news"}],"about":[{"href":"https:\/\/merspace.brite.vn\/en\/wp-json\/wp\/v2\/types\/news"}],"author":[{"embeddable":true,"href":"https:\/\/merspace.brite.vn\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/merspace.brite.vn\/en\/wp-json\/wp\/v2\/comments?post=343"}],"version-history":[{"count":2,"href":"https:\/\/merspace.brite.vn\/en\/wp-json\/wp\/v2\/news\/343\/revisions"}],"predecessor-version":[{"id":345,"href":"https:\/\/merspace.brite.vn\/en\/wp-json\/wp\/v2\/news\/343\/revisions\/345"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/merspace.brite.vn\/en\/wp-json\/wp\/v2\/media\/149"}],"wp:attachment":[{"href":"https:\/\/merspace.brite.vn\/en\/wp-json\/wp\/v2\/media?parent=343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/merspace.brite.vn\/en\/wp-json\/wp\/v2\/categories?post=343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/merspace.brite.vn\/en\/wp-json\/wp\/v2\/tags?post=343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}